Techniques (art) Basic Vocal
I think it is more accurate to say art is not a technique, because the technique is more correct to refer to inanimate objects
Here i describe what i know about basic vocal art, may be useful for who are in need, and is useful for when you guys i know who is more correct
First of all, the most important thing in the vocal arts according to 'them' Respiratory is breathing .. saaat singing with regular breathing of course much different .. For those who are not used to sing, perhaps a sense of 'struggling' when singing ..
Principles of breathing while singing is breathing air as quickly and as deeply as possible, then release it as efficient as possible and long ..
In fact we do not need to breathe! we just need to develop the chest cavity, and then the air will be filled automatically .. So there is no need suara2 aggravating when we sing in the microphone ..
Breathing is divided into three major lines, namely: respiratory chest, diaphragm and stomach .. there is a little contradiction here .. some sources say there's a good abdominal breathing in singing, some say there jg respiratory diaphragm .. But i said it was exhausting abdominal breathing and diaphragmatic breathing it over to save a lot of air ..
How do I in breathing?! Please see more about diaphragmatic breathing which is a lot on the pillowcase in postingan2 vocal clinic
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Posture
The next section is about the overall posture when singing, although not the most important part of that, but would-not-want this helped influence on our vocal performance ..
our bodies must strapping, relaxed, and flexible .. Shoulders do not lift during breathing in may for singing, especially when breathing .. chest tends to be widened in the future it forward .. foot slightly in jarangkan, to stand balanced ..
Mouth shape
Keep your mouth wide open for beginners, so that the air resonance goes well .. chest resonance useful in taking nada2 low, nada2 nose to high, clear the throat to the voice reply (but do not concentrate on the sound of the throat, as it will lead us exhausted his throat), and the last head if you want to take a very high nada2 ..
Tongue in the right flat for singing, and the edges touch the back of the lower incisors us .. The tongue should be as relaxed as possible, because for me personally, is that often that i noticed and be difficult for beginners including first gw oral cavity as we yawn, so the principle that air space out wide could be ..
Spread the mouth while singing in a low voice, as it can help .. Note also the upper part of the mouth, and try to be as wide as possible, once again as we yawn ..
Lip width is 3 fingers (try putting three fingers into the mouth lo, that's the minimum size) Spread the mouth to the side if you want to take nada2 low, I think it helps ..
Outward Support
For singing is pretty vital, because we need support to emit a tone to be more awake gress and its pitch (i actually difficult to describe it by kata2)
For example, see Hany (if not mistaken his name was: guy loh) Indo Idol, that's an example of a vocalist who did not use the outward support
how?? tighten the side below the rib .. trying to say "HISSSSS ..." put your hands under the side ribs and feel part of it tightened .. NAH!! hold on for singing (flexible aja se)
Eric Martin is the lead singer's a good example of the use of the technique .. in every lagu2nya, be it high or slow hard-he always used it .. (Kalo lo sing not wear outward support, the crisp sound bgt lo! Much different from the original sm Eric Martin!)
Sometimes in order to play dynamics often play gw gw stomach! correct ga seh??
yupz, umpteen times aja yah essential thing! hopefully useful
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